It's a magic carpet ride
Sesame Street magazine of the 1970s put the stylized pop-psychedelic style of the TV program's animated sequences in kids' mailboxes.

Sesame Street magazine of the 1970s put the stylized pop-psychedelic style of the TV program's animated sequences in kids' mailboxes.
Designers working in both the modernist style and the more eclectic and illustrative approach of Push Pin Studios have consistently found ways to employ patterns.
A tribute to the brilliant designer Ivan Chermayeff.
We just uncovered a batch of Seth Siegelaub’s original Artist’s Reserved Rights Transfer and Sale Agreement from 1971.
We were so pleased to receive work from legendary typographer Ed Benguiat, including original lettering and print samples of his typefaces in action.
Next up in the Archives’ vitrine in the SVA Library is the work of Everett Aison, a filmmaker, screenwriter, designer, illustrator, author, and educator.
Images from the Herb Lubalin exhibition at The Composing Room in 1968.
A survey of SVA subway posters in Warsaw.
Work from artist and designer Cris Gianakos.
An incredible array of new material from James McMullan.
Some background (and forgotten drafts?) of Milton Glaser’s poster for Antonioni’s Zabriskie Point.
Robert Delpire and Push Pin Studio’s mutual admiration resulted in exhibitions in both New York and Paris.
Seymour Chwast’s characteristic contour line and flat pastel coloration appears on the packaging of this short-lived late-80s Kosher ice cream, for which his Push Pin Studios also contributed the logo.
The Cooper-Hewitt’s outdoor exhibition/walking tour of lower Manhattan was held during the summer of 1975.
In 1964, SVA’s Visual Arts Gallery hosted the Bettman Panopticon, an exhibition of works by the leading art directors and designers of the day created from materials in the Bettmann Archive, the trove of vintage clip art and photos.
Stark course announcements by Everett Aison and Ryszard Horowitz.
Milton Glaser’s surreal landscapes for Hangar Design Group.
We’re so pleased to add the work of Keith Godard to our collection.
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65 Self-Portraits is one of the best documented of the remarkable series of exhibitions organized by Shirley Glaser while she was director of SVA’s Visual Arts Gallery, 1964-1969.